Holiday Gift Guide: Foundation

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Bedroom Styling Tips


My love of nature is no secret, as its beauty reveals colour combinations and textures that rarely disappoint. A bedroom is at best a quiet space where you can recharge, so what better place to rely on the subtle charms of natural elements? Here, a rustic birch headboard sits as the defining centrepiece of the bedroom, without crowding or shouting in the space. Its muted natural colour palette lets it stand as an eye-catching piece while still maintaining the calming feel. The oversized ‘S’ also adds a cheeky touch.



Layering is one of the easiest ways to add interest to a space. Whether it’s a living room or bedroom, you can’t go wrong with generous layers of textiles – but what better place than a bed, really? Here, a vintage futon cover, French ticking and Belgian flour sack crown the bed, with a common thread of colour and texture running through. This lets the bed sing for its supper in terms of a room styling device, but makes it extra inviting at the end of the day. The finishing touch can be seen in the photographic print that references fabric, too – a nod to the room’s textural appeal.



A study of colour makes a fine theme for a bedroom. Here, rich red in all its glory gives this space a vibrant feel, with navy and black accents tempering the look. My favourite Vivienne Westwood wallpaper panel functions as a bedhead and sets the tone for a mix and match of woodblock quilts, screen-printed and embroidered pillows. 


The wall above your bed is prime real estate for styling, so think outside the square when you come to use it. Sure, a piece of art or a headboard are easy fixes, but don’t think you can’t have a bit of fun here. A beautiful piece of fabric or wallpaper could be temporarily affixed above your bed, a great choice if you like to rearrange your scheme often. Use a ribbon or string to create your own design as I have here. The stretch of wall is a great blank canvas.


Meet the Maker: Barn Light

Vintage & modern collide in the wonderful products created by Barn Light, which is located in the heart of the manufacturing/industrial centre just south east of Melbourne. Resident creator, Jesse Lee-Stringer, is enamoured with all that making their lights has to offer. His world is components, shades, drills, pipe threaders & samples but what he creates is a major focal point in any interior or exterior. He works predominantly with the versatile aluminium, and the products are some of the best in the industry. It’s a completely different world and a trade that most people rarely get a deep insight into, but we’re lucky enough to have some custom lights in our warehouse space. They’re a crew adept at telling stories, with concepting being one of Jesse’s favourite parts of creating.


Can you describe in detail your workspace & location?

We’re located in the South Eastern suburbs of Melbourne about 40 minutes from the CBD.

We are surrounded by industrial buildings, where a good deal of activity goes on, so everywhere you look its simply manufacturing and processing in concrete slab buildings and trucks hauling loads up & down the roads. It doesn’t sound too romantic, but we really like the raw landscape. We’re a stone’s throw away from the old General Motors factory in Dandenong, a relic of our manufacturing heritage; most of Hallam and nearby Dandenong were purely manufacturing areas back in the day.

Our workspace is much the same inside. Concrete walls, container-height roller doors, overhead high-bay lights, tools and machinery. We’re very much a ‘new’ industrial factory, fitted with bright orange and blue racking, staked with various lighting shades, components, and half-completed concepts and samples.

Our manufacturing corner consists of drill presses, pipe threaders older than my kids, and imported US machinery like pipe benders and imperial threads. The mitre saw and the bandsaw spit out aluminium shavings, and by the end of the day the workspace is thick with a drift of aluminium flakes. In another corner we‘ve got a spray booth where we galvanise and touch up fixtures. That too develops a coating of grey residue from the finishes we use.


Favourite materials to work with?

We work primarily with aluminium. It’s light, versatile and durable. Our shades are 100% aluminium alloy. The goosenecks are constructed from the same quality aluminium that they build houses from, and our die-cast doesn’t get much thicker.

My favourite part of making lights is watching the metal spinner force a flat piece of metal into a shape. It’s an entrancing sight to see the form take shape and knowing too that with just a touch too much pressure, the whole shade would warp and become nothing but scrap. A close second is spray painting, seeing something ‘ugly’ look desirable is always a fun process to watch.

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Earliest memory of your craft?

Ironically, being a light maker wasn’t one of my life goals. Falling in love with making lights happened by chance, when I became “the IT guy” for a lighting company – Barn Light Electric. During my time there, I helped a friend – now my business partner – fix a few engineering issues and I started to become intrigued with the craft. I really enjoyed the engineering challenges and got a kick out of resolving them.  It was a bit like being a kid with a Lego set: I got an opportunity to play with parts and became enamoured with making lights.

Where do you continually find inspiration?

My inspiration actually comes from customers who call us with half an idea or a problem for lighting. Being called to a challenge is what really charges my creativity. I have a lot of fun doing custom work for designers as well as creative homemakers. We learn a lot too from projects that involve coming up with original lighting that can apply elsewhere, so new ideas lead to a slippery slope of new concepts and half a table full of designs.


What part of the creative process excites you the most?

I like creating. High-quality things that I’d be happy to put in my own house. Not really a ‘creative process’ since we jump from concept to concept with the work of power tools! Diagrams? No thank you! – That’s, it really. Half the enjoyment of making beautiful quality light fittings is in the pleasure that pieces together.


What does your work day look like?

My staff say I do a lot of pacing. I’m not sure what that means exactly, but I’m certainly always on the go. There’s the boring business of quoting, invoicing and ordering supplies. More interesting is talking to customers and project work. I pretend to manage my staff and it’s a coffee or beer in the afternoon depending on what the weather is doing, or rather how much workspace I have left.

To see more of Barn Light visit their website.


My Trip To Galapagos & Ecuador

My Ecuadorian journey started in Quito, the highest capital in the world, a city of softly painted buildings in an array of taffy colours & old-fashioned shops: candlemakers, bakers, church suppliers, tailors, men’s stores. I stumbled upon a haberdashery where the spools of cotton, beads, zippers and scissors were all in custom-made cabinets in a horseshoe arrangement, lots of little glass-fronted drawers showing off their colourful contents & an old-fashioned cashier station overseeing all proceedings. Rugged up and with my trusty panama, I was eager to explore the highlands for horses, llamas, alpacas & rose farms – I used to find their harvest at the flower markets in NYC. In some ways, it was the very simple desire to know the source of the things I buy that led me to Ecuador.
Heading through the Andes on steep and winding roads towards Hacienda San Agustin, rocky sharp mountains stretch for the skies on either side. We pass cobblestoned towns with traditionally dressed women, gossiping streetside, in deep green-on-green layers of fringed shawls, heavily pleated wool skirts, stockings and felted feathered hats in jewel tones.
Flowers are abundant, spilling from pots of all sizes & finishes on the wraparound verandahs of the haciendas, in windows & rambling gardens; the vibrancy of poppies in the misty deep green mountains, the pinks & magentas of ancient geraniums while hummingbirds with iridescent blue feathers flit at great speed. A visit to a rose farm reveals every variety in every colour destined for faraway markets; all long stemmed & Valentine’s Day perfect.
The Galapagos Islands were full of penguins, blue-footed boobies, marine iguanas & all the wild creatures sailors would have seen on their travels many years ago. The beauty & marvel of the place is the proximity of the animals, close enough to reach out & touch them! It is as if you could stand on your tippy-toes and tickle the feathered chests of the birds that hover above your head.
One morning we set off to a deserted cove to go snorkelling. The walk there was along a beautiful wooden boardwalk through mangroves with orchids and other air plants growing amongst them, hanging down and intertwined through the scape, much like the potted plants in this space, tendrils falling to the ground. Magical. On the beach and rocks of piratical cragginess, caramel velvet sea lions sunned themselves amongst stones that could be Brancusi, Noguchi or Hepworth sculptures – the perfect natural shape for them to while away the afternoon, rolling & tumbling on the water’s edge and swimming playfully amongst us. We were only distracted by the most graceful (& very large) sea tortoise cruising by.
One night in the Galapagos, I dined at the Cave. A building of lavastone, white-washed and with the feel of a captain’s nook: round windows, a low ceiling, fireplace, positioned on the water (arrival is via water taxi) and with a welcome of rope doormats. You could imagine it being built when visitors were few. Caramel & cream stingrays were feasting at the bottom of the stone stairs.
In Quito, there are all these beautiful churches – one of my favourites was La Compania with the most incredibly detailed stonework. Like any South American city influenced by the Spanish, Quito is very Catholic, so you discover shrines all over the place. Other towns have the typical church square with all the main buildings surrounding it.
This is the meeting of the mountains & the sea. Up in the mountains, there were rose farms and all of the haciendas were surrounded by beautiful gardens. The hacienda I stayed in was very high up, and it got darker & moodier along the cobblestoned village roads as we drove past shepherds and schoolchildren throwing stones into the river, while our driver checked with local men & women for directions. Owned & built by an Ecuadorian president, the hacienda continues to be run by the same family and sits on 40 hectares. They run horses, a cheese factory and a B&B. The rooms were filled with antiques discarded from the family’s other dwellings (just like any holiday house) – but here they were hand-carved, heavy and robust.
Gus Angermeyer was one of the earliest settlers on Santa Cruz Island in the Galapagos. He left Germany in the 1930s and set out on an adventure with his brothers & a dream of a life at one with nature. There were only a few others already living on the island and the Angermeyers settled around the bay area to marry, raise their families & build boats for fishing. Their homes, many still standing today, were built from the natural resources available: lavastone, rocks & wood. You can stay here today, at the Angermeyer Waterfront Inn. The Cave was my favourite part – Gus used to read the works of Shakespeare and Einstein in this sanctuary of his and share his exciting adventures to those he invited in.
The places I visited were rich in colour & vibrancy, letting me pull together a palette with ease. Tune in next week as I detail the inspirations behind my Galapagos & Ecuador palette.

The Stylist Alphabet: Q is for…

Q is for…


Quills & sea urchins
Depending on the animal they derive from, quills come in such dramatically different shapes. (There are six: sea urchins, birds, porcupines, echidnas, anteaters & hedgehogs.) I have glass jars full of sea urchin quills in shades of purple, dusky pink and deep aubergine, often with white-ringed tips. They feel and look like unglazed porcelain, and when knocked together, make a beautiful musical chime-y sound. I admire the stripe and colour (and sharp and protective) elements of quills, both from urchins & the porcupine families. I have loose bundles & jars of them in many shapes & sizes, as my fascination doesn’t seem to wane.



A surfer’s collection of surfboards. My love of the sea takes shape in many of the pieces I collect and create, so when the chance for me to collaborate with iconic surf brand McTavish arose, I jumped at it. The patterns and symbols I loved, such as Shibori, Flmaingo, Giraffe & Suzani were immortalised on the coolest (and most user-friendly) longboards – surf’s up! Shop a couple of the designs here.


The Stylist Alphabet:
A is for…      B is for…
C is for…      D is for…
E is for…      F is for…
G is for…     H is for…
I is for…      J is for…
K is for…     L is for…
M is for…    N is for…
O is for…     P is for…




Bold Ideas For Interior Styling

A little while ago, I gave some tips on quiet decorative ideas to add interest to your home, but this week I thought I’d outline some ideas that go a little bolder.


Painting a rug on the floor is a dramatic and unexpected way to transform your space. Begin by choosing a graphic print or finding a pattern to copy and either draw it on the ground freehand or transfer it using a stencil (ask the local office supply or printing store about their large-format printing options). Paint using a semi-glass or similar durable paint. As the paint wears and weathers, the pattern becomes even more appealing and when you tire of it, you can simply start again. Also, consider an alternative to a feature wall and paint the lower half only. The paint should come to waist level in a similar fashion to wainscoting.

Welcome to my cabinet of curiosities. These customised floor-to-ceiling shelves are based on a design I saw in the glass library of a Venetian mosaic school. They house my shells, bugs and beautiful butterflies, feathers pebbles and other objet trouvé mixed in with all kinds of books and publications. The mini bay window provides essential natural light for the dense display and gives me a lovely little reading haven. Bespoke shelves are fantastic for storage and open display.

Slapdash wallpapering, with all its tracks and unaligned patterns, creates an eccentric, transient sculpture.

Incorporating a quote or words of a favourite poem or song into your interior instantly personalises the space. Use a paint pen, or if you’d rather something less permanent, a pencil. Don’t fret about mistakes and imperfections – it is these that make this kind of decoration uniquely yours.