Category Archives: General


Meet the Maker: Emma Lindsay


A few years ago I was working with the Queensland Museum. I was designing my very own Cabinet of Curiosities using their vast archive of natural histories for an exhibition. It was here that I discovered Emma Lindsay’s work hanging in company with an owl in flight & various other antique specimens. We share a love of Australia’s beautiful birds & animals.
Recently I commissioned Emma to paint a portrait for one of the dark blue rooms at Henry Deane, the lounge bar located on the 4&5 floors of Hotel Palisade. As the Hotel Palisade boasts 360 degree views of Sydney harbour we decided on the threatened Little Penguin colony that resides at Manly, the only breeding colony on mainland NSW.
You can help save this colony of the smallest penguins in the world by donating to National Parks & Wildlife


Describe your studio

My studio is a white room in my house facing the northern light. The studio window looks out to a sea of blue sky and green leaves from my garden, which lets me know the weather and often features regular bird visitors. Within it are stacks of canvases, cacti and maidenhair ferns, shells and rocks from my beach and desert travel, brushes, paint, low white metal cabinets that function as canvas supports and storage for materials. Until recently there was hardly room to move, with the work of 2 shows filling every wall. At the moment, the studio is bare as I begin again from scratch.

Best art supply store

Art supplies are like candy stores – so many to love. My fav in Australia is St Luke’s The Colourmen (Melbourne), in New York Dick Blick’s.


Subject Matter

I’ve always loved animals, wild remote places, and have planted out my garden to attract native species and birds. I’m in love with biodiversity and paint. The subject of extinction and species endangerment has allowed me a creative focus in my studio paintings that allows me to connect to a critical environmental and cultural issue of our time. My interest in endangered and extinct species first became a passion after I visited the Queensland Museum in 2007, to check out a recently discovered headless night parrot specimen, a critically-endangered desert bird species of which little was known. When I went there, seeing the whole zoology archive moved me in a profound way. I began painting the beautiful ones, birds with brilliant plumage, but then started to wonder about our other endangered and extinct birds. I found the QM, like many Australian and global museums, does not have a complete record of species under threat or lost. Looking in depth into museum collections and available visual literature into where remaining extinct and endangered species could be found or seen led to the development of my practice-led research PhD Extinction project. This 8+ year labour of love on our lost birds became an exhibition of 29 extinct full and sub species Australian bird specimen portraits. These birds are held in museums in Australia, England, France, and the USA, and the final exhibition of this work was shown as part of the recent World Science Festival Brisbane 2016. It felt fitting that the Queensland Museum should be the place to show the final PhD project as it is where it all began. The Extinction project is ongoing.


Favourite animal

My favourite land animal is the cat. In the sea, the great white shark. But I dream of seeing a flock of bright pink flamingoes in the wild.

Latest book purchase

‘Georgia O’Keefe and her houses: Ghost Ranch and Abiquiu’ by Lynes & Lopez. I recently visited O’Keefe’s studio in Abiquiu and drove out to Ghost Ranch in New Mexico. The architecture, cacti, and landscape out there is incredible, the weather and the environment unforgiving and starkly beautiful. This book is the only way to see the original rooms, furniture, and styling in her adobe dwellings up close and personal, as photography is not allowed while visiting the inside of the house.


Go-to for Colour inspiration

The natural world is the perfect palette for colour inspiration. The plumage of birds, the foliage of plants, the ocean, the desert, the sky, the weather, the translucent layers of human skin. The trick is trying to translate often transient delicate colours the eye can see and reproduce it through the ‘mud’ of paint…

Top 4 museums in the world

The Metropolitan Museum of Art (New York).
The Musee National d’Histoire naturelle (Paris).
The Louvre (Paris).
Queensland Museum (Brisbane).


Greatest tool

The greatest tool for creativity is music. It inspires me beyond everything else.

Great escape

When I have time and $ my number 1 great escape for inspiration is always New York. It is the ultimate city for me that has everything I love on one island- art, music, culture, books, dance, fashion, performances, food, museums. At home, I head to Byron Bay at every opportunity, especially after punishing deadlines. There is no better place to unwind, walk beautiful beaches, and remember how great it is to be alive.

Take a look at Emma’s work on her website or visit her Instagram @emmalindsay_. Emma is represented by Heiser Gallery, Brisbane.



The Alphabet Of Arcane Trades: K is for…

K is for…


A knoller is also known as a bell toller, and I feel a connection to this, partly because I’m often called “Belle” by my friends and family, but also because I love the chime of a bell carrying through a public space. The solemn notions that accompany lonely bell-tollers add a kind of mysticism to this old trade, and I think it’s a sort of two-parter, not only wrapping in the toller, but the bell maker – what an artiste! That sonorous chime has softly pulled me from getting lost in a long lunch in a far-flung town square, or heralded the drinks break at a French flea market all too often. That sound is one often taken for granted and an art form that endures, marking the hours passing with a musical flourish.

The Alphabet of Arcane Trades:
A is for…      B is for…
C is for…      D is for…
E is for…      F is for…
G is for…     H is for…
I is for…      J is for…


My Tips On Adding Texture

When you’re hoping to soften hard details and make an interior scheme feel extra inviting, adding texture via layering is so important. Here are some of my tips to layer your look:


A string runner, made using extra-thick knitting needles to make it extra hole-y, has an intense and raw beauty to it that works beautifully with the more refined pieces around it. Before you make your next interior purchase, close your eyes and touch it. Consider its weight, texture, shape and size and match it with the opposite.


A masterclass in layering textures. I love how Timberyard in Scotland weaves in so many different tactile elements. From the timber panelling, to the velvet sofa with linen-bound books beside it, this space is made for comfort. Add in the cushion/rug combo and the single antlers shed by their original owners and you have so many jumping-off points to draw more texture into your spaces.


How could we discuss texture and not cover the home of textiles, India? The tradition is just so rich with inspiration that you leave this country and want to bring home fabric after fabric by the ream. Here you can see how soft and inviting this bedroom becomes with layer after layer of textiles added. Now of course, to re-create this at home may take it a little far, but that’s not to say that you can’t follow in the footsteps of master drapers and layer with confidence after seeing this room.



Colour Hunting: Paperwhites


Pa . per – noun
A substance made from wood pulp, rags, straw, or other fibrous material, usually in thin sheets, used to bear writing or printing, for wrapping things, etc.

White.s – adjective
Of the colour of pure snow, of the margins of this page, etc.; reflecting nearly all the rays of sunlight or a similar light.

I first heard of the word ‘paperwhites‘ from a photographer friend of mine. It caught my imagination and, while I’d been a long-time admirer of paper, I started looking more closely at all its tones and finishes, from reams of standard snow white copy paper to gorgeous crepe, onionskin, glassine, vellum, tissue and tracing varieties. I then started to consider the hallmarks of age on paper, especially the muted, stained and faded tones of ephemera I’d collected over the years: postcards, love letters, certificates, shelf liners, dollies, patty pans, the backs of botanical plates, flashcards, wrapped sugar cubes and matchbooks. The palettes and textures that began to emerge were wonderful, and here evolved my palette; paperwhites.

You can view the whole palette in my book gypsy to see how I have used it in various spaces. I would suggest trying moonshadow or nautilus, for a subtle shine as a background to a styled vignette in your home. Whalebone is perfect for a foundation coat on the walls, and then pair it with loveletter for a soft feminine touch to any room.


Holding Onto Your Travel Inspiration


We all want to hold onto the that blissful feeling of a holiday and bring a little of the magic home. Here are the ways I hold onto the inspiration from an adventure:

  1. Every time I travel, I really, really want something. Whether you are hunting for a specific piece of memorabilia (in India, I was on the lookout for overscaled formal photographs of mostly men, lots of them sporting magnificent moustaches), a certain location, or just your mode of transport, having a purpose of point on the map guiding you adds an (extra) element of fun.
  2. When you are travelling, take note of what’s around you – don’t set out to find, but to discover. I take lots of photos and many notes that are edited into my stories. I often find that sitting down at the end of the day in a generous communal courtyard, perhaps with a G&T, is a fine time to jot down the day’s adventures. In fact, I’ve often picked up inspiration for the next one’s thanks to fellow guests who fancied a chat.
  3. Don’t discount the benefits of travelling solo. I travel with many different companions, as well as on my own. I like that this can determine the structure of a journey. I embrace the “constraints” that come with travelling with different people, and often the person or people I travel with will each put a different spin on a jaunt. That said, when I’m by myself, I follow my own agenda: usually a jam-packed itinerary of historical houses, markets, cafes & bars, walking, shopping artists’ studios, collections, trades & makers, loosely structures around early starts, writing & editing the day’s photos.
  4. Do your research. I am a great gatherer of information – it must be my love of history kicking in again. I know all the new technologies, applications and social media platforms might not hold the romance of slow travel to far-flung places from another time, but use what you need to help you store & gather information you find, in order to have the travels you dream of.


When you come back from your travels, you can always collate your notes and findings in such a way that helps you to relive the magic and wonder. For me, I found that all the rich travel material just had to be collated into books, which lead to the creation of Nomad and Gypsy.


Deconstructing a Still Life

The Society Inc by Sibella Court | Deconstructing a Still Life

A majestic lorn paper and stitched owl isn’t quite the falcon of the Syrian desert, but is a hunter & memoir of the landscape there nonetheless. This still-life shows that sculpture can come in all shapes and sizes. You often just need to look at something in a different way. Use pegboard and make art out of your own collection of beautifully displayed hardware and hand crafted tools or other gadgets. Recreating a memory using sculpture is a great way to display parts of your adventures for others to enjoy.

We would suggest the tailor’s pin, gypsy peg, scullery brush & butcher’s roll as ways to recreate this still-life & tack a little piece of hand tinkered charm into your own walls, drawers or pegboard.

Shop the look here.

The Society Inc by Sibella Court | Deconstructing a Still Life